Recent Articles

The Suicide Squad (2021) – Review

Second Time’s the Charm

Masculinity’s Origin in Socioeconomic Struggle in American Cinema

A Man Must Always Be Fighting in One Direction or Another

How Johnny Guitar Demonizes Strong Women to Subvert the Western

Taking Advantage of the Audiences’ Bias

Scarface (1932) and the Romanticizing of Gangsters

When Explicit Spectacle Overrides Implicit Condemnation

Extraction – Review

I Guess This Will Have to Do

The Evolution of the Cinema of Attractions

When Spectacle Triumphs Over Narrative

The Invisible Man (2020) – Review

Do Not Let This One Go Unseen

The Hunt – Review

I Mean… Ugh

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